Token Runner
TOKEN RUNNER // THE A.I. UNIVERSE EXPLAINED · 23 October 2026

A Human and Two Machines Built This Site. Here's What They Got Wrong.

On the eighth of October, Epoch AI published a report with a blunt question in its title. Can AI automate Epoch?

Epoch is one of the places we get our numbers. Chips, models, training runs. So we read it closely.

The two who wrote it

Kelly Hong and Greg Burnham wrote it. Their names and faces are on the report’s page, so they are here.

The report went up on 8 October 2026 under Epoch AI’s name, with a licence that lets anyone use it if the source and the authors are credited. Kelly Hong is a researcher at Epoch who tests AI in realistic settings. Greg Burnham is Epoch’s head of benchmarks. Everything in this piece that is theirs is marked as theirs. Epoch AI does not endorse Token Runner or this use.

A frame of the film: the attribution: the two authors’ photographs from Epoch AI’s team page, their names, Epoch AI, the report’s title and 8 October 2026, and the line that the report and its figures are Epoch AI’s, CC BY 4.0.A frame of the film: the report’s first page torn as a clipping, its title Can AI automate Epoch? and its first finding, beside the question as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

Their test

They took six of the strongest AI models. They gave them eleven real Epoch tasks in five kinds of work: graphic design, data insights, data explorers, data-centre research, research design. Then their own staff graded the work by hand, against the standard they hold an employee to.

The rule they set themselves was to give each model “as much context to the model as we would to a new hire”: a design file, previous work, a Google account, full permissions. One run per model per task. “Each output is manually reviewed and graded by a single human grader.”

Their answer, in their words. Fable 5.1 and GPT-6 Astra broadly lead, and “they still fall short of automating our work.”

Their chart says the same. Six models, five kinds of work. The top two lead. None automates the job. Epoch asks that the scores be read beside the observations, not alone, and we read them that way.

Computer use surprised them. “Computer use was also far more capable than we expected.” Earlier in the year the frontier models failed to port an article to Substack; this time they managed it.

One design task they dropped from the suite altogether, because Fable 5.1 restyled a chart to Epoch’s house style well enough to pass. “We now largely automate this step in our own work.” The lead of the top two, they say, comes from the well-defined parts: coding, computational analysis, computer use.

A frame of the film: their test as two figures, 6 of the strongest AI models graded by their own staff and 11 real Epoch tasks, with the kinds of task on a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.A frame of the film: the report’s first finding torn as a clipping, the words they still fall short of automating our work lit, beside the same words as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.A frame of the film: Epoch AI’s Figure 1, whole, on the strip: average task performance across five categories of Epoch’s work for six models, no numbers printed; beside it the chart’s own title as a card, Leading models cannot yet autonomously complete Epoch work tasks. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

What we built

Because Token Runner was rebuilt this month by AI. Two Claude agents, working for one person. One builds. One checks and translates. The person decides. Token Runner is built with Claude, which is made by Anthropic.

Since the ninth of October, they have traded 1,263 posts on a shared message board. 660 from the checker. 603 from the builder. And twelve from the person. 1,275 posts in all, counted on 23 October, the day the film was made.

A frame of the film: our setup from the record as two figures, 2 machines, one builds and one checks, and 1 person who decides; the disclosure on the foot line, Token Runner is built with Claude, which is made by Anthropic.
A frame of the film: the word Twelve alone over the painting, and the line That is the part worth looking at.

Twelve. That is the part worth looking at. The person did not build. He chose the pieces, the paintings and the publish, and he caught what the machines did not.

OPEN THE INSTRUMENT →

Source: Token Runner's own message board, counted on 23 October 2026 at 21:52 JST (the count the film A Human and Two Machines speaks)

A frame of the film: the message board counted on the day, 1,263 posts between two machines and 12 from the person of 1,275 in all, beside the chart of posts by who posted them.

The well-defined parts

Epoch found the models reliable on the well-defined parts of their work. So did we. Code, tables, charts, checks. Run again and again.

Every build of this site runs eight page checks and 215 tests, at four widths in the light room and the dark. A machine reads every page against the written standard before a person sees it. That is where the models earn their keep, and it is the part Epoch’s top two also got right.

A frame of the film: what a machine checks on every build as two figures, 8 page checks and 215 tests, run again and again, beside the line Code, tables, charts, checks, as recorded on 19 October 2026.

The wrong chart

One open model built its whole insight on a filter it never checked. All of arXiv, not physics.

Epoch gave the models arXiv data on physics papers and asked for a short Epoch-style article on AI use in physics. Kimi K3 counted across all of arXiv and “never checked whether its filter worked”. The rise it drew was real, and far steeper than the truth. Epoch printed the chart as a mistake, and so do we. On the other side of the line: “None of the frontier closed-weight models made factual errors in their data insights.”

A frame of the film: Epoch AI’s Figure 2, whole, on the strip: Kimi K3’s chart of mentions of AI in physics papers, printed by Epoch as the model’s mistaken output, its filter never checked; beside it the chart’s own title as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

The same model drew a diagram of wealth redistribution where the returns flow the wrong way: “the visual does not follow this described flow”. Epoch adds that the gap is wider than benchmark scores suggest. Kimi K3 scores 158 on Epoch’s own Capabilities Index, about level with Grok 4.6, and still failed where Grok 4.6 held.

We cannot test this one. Both of our machines are Claude, and no open-weight model has sat on our board. What we can say is that this is the kind of error our checks are built for: a number nobody read back to its source.

Drawn for the article with the film's own kit: Epoch AI’s Figure 3, whole, on the strip: Kimi K3’s diagram of three wealth-redistribution proposals, printed by Epoch as the model’s output with the returns flowing the wrong way; beside it the diagram’s own title as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

The house style, missed

Given months of Epoch’s design work, the machine drew two panels where Epoch’s designer drew one simple chart.

Epoch found the models struggle to pick up a house’s standards, “even with ample reference material.” So did we. The task was a diagram for a Gradient Updates article: models improve both at a fixed token budget and in their ability to use a large one, so a fixed-budget measure understates progress. Epoch gave the model its published graphics and a design file with its palette, guidelines, templates and components.

A frame of the film: Epoch’s second finding torn as a clipping, the words even with ample reference material lit, beside the same words as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

“The underlying idea is simple, so the diagram should be too.” Their designer drew one chart. Fable 5.1 drew two panels with far more on them; to Epoch’s eye “the additional information serves no explanatory purpose”. The models, they write, “consistently missed implicit conventions that humans would pick up”.

A frame of the film: Epoch AI’s Figures 5 and 6 side by side on the strip, each whole: the Epoch designer’s one simple chart of performance against token budget, and Fable 5.1’s two-panel version of the same brief. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

What their style looks like

The machine copied a real Epoch diagram, and missed why that diagram looks the way it does.

Figure 7 is Epoch’s own work, a diagram of two chip-bonding methods that Fable 5.1 found while searching Epoch’s references. It carries A and B badges on the two things compared, and the badges are earned: “they earn their place because each concept shows up in more than one part” of the diagram. The model took the badges and used them to label things once. The pattern was copied; the reason was not.

Drawn for the article with the film's own kit: Epoch AI’s Figure 7, whole, on the strip: Epoch’s own diagram of microbumps against hybrid bonding, the one the model copied its badges from; beside it the diagram’s own title as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

Our answer was to write the standards down as rules, and have a machine check every page against them. The implicit conventions are not implicit here. They are a file, and a check that refuses the page.

A frame of the film: two lines over the painting, The standards, written down as rules, and A machine checks every page against them.

The experiment that measured the wrong thing

The models found good research questions and then could not design an experiment that answered them.

Epoch found the models identify promising directions, but “lack judgment to successfully follow through.” So did we. Their research-design task asks for a new question from Epoch’s nine big questions, a pilot experiment, a write-up and next steps. “It’s not difficult to identify a valuable general direction for an experiment,” they write. The hard part is an experiment that measures what it claims.

A frame of the film: Epoch’s third finding torn as a clipping, the words lack judgment to successfully follow through lit, beside the same words as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

GPT-6 Astra chose a question Epoch calls genuinely promising: when an agent fails to improve with practice, did it fail to collect evidence, or fail to use it? Its proposal was directionally good and left the critical parts undefined. Then it ran the pilot with a token budget so low that 61 of 280 responses were cut off before naming an input at all. It raised the budget, saw the scores recover, and wrote that up as “sensitivity to the acquisition budget”.

A frame of the film: Epoch AI’s Figure 10, whole, on the strip: GPT-6 Astra’s proposed experiment as Epoch printed it, a page of the model’s own words; beside it a line of it as a card, test the diagnostic on a realistic task. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

Epoch does not penalise the setup mistake: “Such mistakes are common in research, so we do not penalize models for them.” It penalises the write-up that turned a flaw into a finding. A good question. A vague experiment. Then a budget error, written up as a finding. We recognised this too.

Drawn for the article with the film's own kit: Epoch AI’s Figure 11, whole, on the strip: GPT-6 Astra’s pilot findings as Epoch printed them, the sentence on the acquisition budget highlighted by Epoch; beside it the words sensitivity to the acquisition budget as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

Too much

Fable 5.1 put more on the page than Epoch wanted, in a summary and in a caption, and argued for more.

Epoch wants output “presented in a simple and intuitive manner”. “But models tend to introduce unnecessary complexity, especially Fable 5.1.” Figure 12 is the summary of Fable’s research proposal, a whole page where a paragraph was wanted. Figure 13 is its caption on the wealth-redistribution diagram, longer than Epoch’s rule of “communicating clearly with as little detail as possible”. Epoch found the reason in the model’s own self-critique, where a sub-agent pushed for fuller descriptions because the short ones dropped words from the brief.

Drawn for the article with the film's own kit: Epoch AI’s Figure 12, whole, on the strip: the summary page of Fable 5.1’s research proposal as Epoch printed it, a tall page of small type; beside it its first finding as a card, The accuracy tax has collapsed with capability. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

Our builder has been Fable 5.1 since 19 October. We see the same pull in it. Our rule is Epoch’s: one idea per sentence, the finding first, and a check that refuses a page with small print. Fable says more than the page needs. Epoch wants less. So do we.

Drawn for the article with the film's own kit: Epoch AI’s Figure 13, whole, on the strip: Fable 5.1’s diagram of the three wealth-redistribution proposals with its long caption, as Epoch printed it; beside it a line of the caption as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

The catches

Here is what got caught, and who caught it. Six slips in fifteen days, seven catches: three by the builder, three by the checker, one by the person.

Source: Token Runner's own message board, 9 to 23 October 2026, each catch at the posts the row names; the list as the piece A Human and Two Machines tells it

A frame of the film: who caught what as two figures, 6 slips and 7 catches, beside the chart of catches by who made them, read from the message board on the day.

The checker gave the builder the wrong figure numbers from a Stanford report. The builder caught two of them. The checker caught the rest when the chart files arrived.

The builder read the message board from the wrong number and skipped the person’s orders. Three times in one day. The checker caught it each time, within minutes. The fix was a file that holds the number of the last post read.

Source: Token Runner's own message board, 9 to 23 October 2026, each catch at the posts the row names; the list as the piece A Human and Two Machines tells it

A frame of the film: the six slips as two figures, 3 times posts were skipped in one day and 4 quotations that fell out, beside the chart of the slips with their catchers.

The checker passed along quotations from search summaries, and said so. The builder read every one at its source. Four fell out.

Who caught what

A card in our own film said a chip chief told us to go. His quotation said no such thing. The checker caught it, before it was rendered.

The checker counted the pieces on the live site and got fourteen. There were eighteen. The builder caught it.

The person asked why the receipts page showed no receipt for that day’s collection. Neither machine had noticed. He caught it.

Most of these never reached the site. The ones that did were about the site’s own bookkeeping. Every one was a real mistake.

A frame of the film: the checker’s post on the message board torn as a clipping, the words claims more than the Huang quotation on the board lit, beside them as a card; the line that said go fell out, 19 October 2026.A frame of the film: two figures, 14 counted by the checker and 18 on the site, beside the line The builder counted the live page: eighteen cards, not fourteen.A frame of the film: the person’s post on the message board torn as a clipping, his words that the live site was not yet showing a receipt with that day’s date lit, beside them as a card, 19 October 2026.A frame of the film: two lines over the painting, Most of these never reached the site, and Every one was a real mistake.

Three models, one idea

Given the same polling data and a free choice of topic, three of six models wrote the same Data Insight.

Epoch’s polling task hands over its July 2026 polling data and asks for a short article on anything in it not already published. Fable 5.1, Gemini 3.8 Flash and Grok 4.6 chose the same topic and drew near-identical charts. Epoch allows that the space is narrower than it looks, and still: “we did not expect three out of six models to pick the same one”. The same happened on the research-design task, where Kimi K3 and Qwen 3.8 Max picked the same direction out of nine.

A frame of the film: Epoch AI’s Figure 14, whole, on the strip: the three near-identical polling charts of Fable 5.1, Gemini 3.8 Flash and Grok 4.6, as Epoch set them side by side; beside it the finding as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

We cannot say whether our two would converge. They are the same family, and we gave them different jobs on purpose: one builds, one checks. What we can say is that the person chose the topics, every time.

Drawn for the article with the film's own kit: Epoch AI’s Figure 15, whole, on the strip: the opening pages of Kimi K3’s and Qwen 3.8 Max’s research proposals side by side, the same direction out of nine, as Epoch printed them; beside it a line of one as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

What we share

Epoch tested the models alone. We did not. We tested one person directing two of them, with every rule written down and every number read twice.

It did not make the models smarter. It made their mistakes visible, before they mattered.

A frame of the film: two figures, 6 models tested alone and 1 + 2, a person and machines, beside the line One person directing two machines, every rule written down, every number read twice.A frame of the film: two lines over the painting, It did not make the models smarter, and It made their mistakes visible, before they mattered.

Their chart, and ours

The chart Epoch published as the example is the chart we draw our Baseline from, one month further on.

Figure 8 is in Epoch’s report for a reason. Epoch asked GPT-6 Astra for a Data Insight on AI use in physics research and gave it every Data Insight Epoch had published. Astra chose a topic Epoch calls “too niche for such an audience”. For comparison Epoch published its own, on AI use in mathematics research, “shortly after running the models on this task”. Its chart says that in August one in four mathematics preprints acknowledged using AI, up from one in twenty-five in April.

A frame of the film: Epoch AI’s Figure 8, whole, on the strip: Epoch’s own Data Insight, the share of mathematics preprints acknowledging AI use, January 2025 to August 2026; beside it the chart’s own title as a card, In August, 25% of math preprints acknowledged AI use, up from 4% in April. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.
Drawn for the article with the film's own kit: Epoch AI’s Figure 9, whole, on the strip: GPT-6 Astra’s chart for the same task, papers per year in a particle-physics bibliography, the topic Epoch calls too niche; beside it the chart’s own title as a card. Kelly Hong and Greg Burnham (2026), "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0.

Our Baseline reads the same Epoch file three weeks later. Every month from January 2025 to September 2026 is on our chart; the file has 26.0 per cent for August and 38.1 per cent for September. Each September, in the Baseline’s own view: 0.4 per cent in 2024, 1.7 per cent in 2025, 38.1 per cent in 2026.

Source: Epoch AI, AI acknowledgment trends in mathematics preprints (https://epoch.ai/data/)

A frame of the film: the share every month as two figures, 1 in 4 for August on Epoch’s chart and 38% for September on our Baseline, beside our chart of every month from Epoch’s data.

They published it as the example the machine missed. We drew the next month from the same file. Their chart is the example. Ours is the next month of it.

Source: Epoch AI, AI acknowledgment trends in mathematics preprints (https://epoch.ai/data/)

A frame of the film: each September as three figures, 0.4% in 2024, 1.7% in 2025 and 38.1% in 2026, beside the Baseline’s own chart of the same.

The limits they state

Epoch says its scores are noisy and its findings are the observations, not the numbers.

Eleven tasks, one run of each model per task, one grader per output. “Scores are therefore noisy and may shift with more runs.” The results “should not be read as a general measure of what AI can or cannot do” across all work. The grading is partly subjective: “the numerical scores should not be treated as ground truth”. The tasks are Epoch’s, judged by Epoch’s standards. Each model ran in its own harness. “Some observed differences may reflect the harness rather than the model itself.”

“should not be read as a general measure of what AI can or cannot do”

Kelly Hong and Greg Burnham, "Can AI automate Epoch?", Epoch AI, 8 October 2026, CC BY 4.0 · read 29 October 2026

Epoch sets its suite beside GDPval, the Remote Labor Index, AutomationBench and CRUX; the difference, they say, is that their tasks make the models gather their own context with real tools. Their conclusion is still plain: “it cannot yet replace workers, at least not at Epoch”. We hold our own count to the same honesty. One site, fifteen days, two machines, one person: a war story, not a measure.

So, can AI automate Token Runner? No. Not yet. Can it build it, with someone holding the standard? Apparently, yes.

Epoch asked the right question. This is our war story.

Read it. Question it. Walk it.

A frame of the film: two lines over the painting, So, can AI automate Token Runner? No. Not yet. and Can it build it, with someone holding the standard? Apparently, yes.A frame of the film: the exit: the finding, Two machines built this site for one person. Every rule written down, every number read twice: it made their mistakes visible, before they mattered; the attribution again, small, Kelly Hong and Greg Burnham, Epoch AI, 8 October 2026, CC BY 4.0; and the closing line, This has been a Token Runner Interlinked production.
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